精确搜索找到奇想名画绘画作品集

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“乡村的奇想，桥和塔都被弗朗西斯科·瓜尔迪毁了-Francesco Guardi

乡村的奇想，桥和塔都倒塌了--Francesco Guardi (意大利, 1712-1793)

下载“乡村的奇想，桥和塔都被弗朗西斯科·瓜尔迪毁了大图

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“奇想，胜利的拱门倒塌，泻湖边的风景-Francesco Guardi

Caprice, avec arc triomphal en ruine et paysage du bord de la lagune--Francesco Guardi (意大利, 1712-1793)

下载“奇想，胜利的拱门倒塌，泻湖边的风景大图

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“乡村奇想，弗朗切斯科·瓜尔迪在Water边缘巡演-Francesco Guardi

Caprice rustique, avec tour au bord de leau--Francesco Guardi (意大利, 1712-1793)

下载“乡村奇想，弗朗切斯科·瓜尔迪在Water边缘巡演大图

图片文件尺寸 : 3969 x 2932px

“乡村的奇想，桥和塔都被弗朗西斯科·瓜尔迪毁了-Francesco Guardi

Caprice rustique, avec pont et tour en ruine--Francesco Guardi (意大利, 1712-1793)

下载“乡村的奇想，桥和塔都被弗朗西斯科·瓜尔迪毁了大图

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“奇想，尼科尔·瓜尔迪在泻湖边的堡垒倒塌了-Niccolò Guardi

Caprice, avec forteresse en ruine au bord de la lagune--Niccolò Guardi (意大利, 1715-1785)

下载“奇想，尼科尔·瓜尔迪在泻湖边的堡垒倒塌了大图

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“建筑奇想灵感来自卢浮宫和新桥的宫殿嵌入Arche On Bridge by Pierre Antoine Demachy-Pierre-Antoine Demachy

Caprice architectural; un palais inspiré du Louvre et le PontNeuf sencadrant dans larche dun pont--Pierre-Antoine Demachy (法国, 1723 - 1807)

下载“建筑奇想灵感来自卢浮宫和新桥的宫殿嵌入Arche On Bridge by Pierre Antoine Demachy大图

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Salvador Dalí:Plate 53, El Horizonte from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 53, Que Pico de Oro! from Los Caprichos (2 works) (Field 77-3-27; Delteil 90; Harris 88), 1977; 1799
Heliogravure of Goya\'s plate 53, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 53, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 53号板块，戈雅突发奇想的地平线弗朗西斯科·戈雅（Francisco Goya）53号，多好的金峰啊！从幻想中

下载萨尔瓦多·达利 53号板块，戈雅突发奇想的地平线弗朗西斯科·戈雅（Francisco Goya）53号，多好的金峰啊！从幻想中大图

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Salvador Dalí:Plate 72, Con todos estos lios, no te escaparas (with all these troubles no one can escape) from Les Caprices de Goya; Francisco Goya (1746-1828), Plate 72, No te escaparas (you can\'t escape), from Los Caprichos (2 works) (Field 77-3-9; Harris 107), 1977; 1799
Heliogravure of Goya\'s plate 72, reworked and altered with drypoint and stencil on Rives BFK, signed in pencil and numbered 10/200 (plus 20 epreuves d\'artiste), published by Berggruen, Paris, with full margins,

WITH

Francisco Goya (1746-1828)
Plate 61, from Los Caprichos, Fifth Edition, c. 1881-1886
Etching on wove paper, pubished/printed by Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 9 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29 x 20.5cm)

萨尔瓦多·达利 72号板块，有了所有这些麻烦，你不会逃避戈雅的任性弗朗西斯科·戈雅，72号板块，你不会逃避突发奇想

下载萨尔瓦多·达利 72号板块，有了所有这些麻烦，你不会逃避戈雅的任性弗朗西斯科·戈雅，72号板块，你不会逃避突发奇想大图

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Salvador Dal&~;: Plate 49, Cagallones de cabra from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 49, Duendecitos from Los Caprichos (2 works) (Field 77-3-31; Delteil 86; Harris 84), 1799; 1977
Heliogravure of Goya\'s plate, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 49, Duendecitos from Los Caprichos, circa 1881, etching on wove paper, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm);8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm);11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 第49版，戈雅随想曲中的山羊笼弗朗西斯科·戈雅（Francisco Goya）第49版，奇想中的妖精

下载萨尔瓦多·达尔 第49版，戈雅随想曲中的山羊笼弗朗西斯科·戈雅（Francisco Goya）第49版，奇想中的妖精大图

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Salvador Dal&~;: Plate 37, S&~; from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 37, Si sabrá mas el discipulo from Los Caprichos (2 works) (Field; 77-3-45; Delteil 74; Harris 72), 1799; 1977
Heliogravure of Goya\'s plate 37, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 37, Si sabrá mas el discipulo from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 37号板，S来自戈雅的突发奇想弗朗西斯科·戈雅（Francisco Goya）板37，如果知道的话更多来自异想天开的门徒

下载萨尔瓦多·达尔 37号板，S来自戈雅的突发奇想弗朗西斯科·戈雅（Francisco Goya）板37，如果知道的话更多来自异想天开的门徒大图

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Salvador Dal&~;: Plate 10, Vomitac&~;on rec&~;proca from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 10, El Amor y la muerte from Los Caprichos (2 works) (Field 77-3-72; Delteil 47; Harris 45), 1799; 1977
Heliogravure of Goya\'s plate 10, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 10, El Amor y la muerte from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published by the Real Academia, printed by Calcograf&~;a, Madrid, with margins. (2 works)
9 x 9in (22.7 x 17cm); 8 2/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 10号板块，呕吐在REC戈雅一时兴起的过程加上弗朗西斯科·戈雅（Francisco Goya）的第10版，奇想中的爱与死

下载萨尔瓦多·达尔 10号板块，呕吐在REC戈雅一时兴起的过程加上弗朗西斯科·戈雅（Francisco Goya）的第10版，奇想中的爱与死大图

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Salvador Dal&~;: Plate 59, Cinco o seis por lo menos from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 59, Y aun no se van! from Los Caprichos (2 works) (Field 77-3-22; Delteil 96; Harris 94), 1799; 1977
Heliogravure of Goya\'s plate 59, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste) in pencil, published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 59, Y aun no se van! from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/ Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 59号板块，至少有五六个来自戈雅的突发奇想弗朗西斯科·戈雅·普拉特59岁，他们还没有离开！从幻想中

下载萨尔瓦多·达尔 59号板块，至少有五六个来自戈雅的突发奇想弗朗西斯科·戈雅·普拉特59岁，他们还没有离开！从幻想中大图

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Salvador Dal&~;: Plate 14, Qué ramo de bonitas cerezas! from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 14, Qué Sacrificio! from Los Caprichos (2 works) (Field 77-3-67; Delteil 51; Harris 49), 1799; 1977
Heliogravure of Goya\'s plate 14, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 14, Qué Sacrificio! from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm).

萨尔瓦多·达尔 板块14，qu一束漂亮的樱桃！来自戈雅的突发奇想加上弗朗西斯科·戈雅（Francisco Goya）的14号钢板，qu牺牲！从幻想中

下载萨尔瓦多·达尔 板块14，qu一束漂亮的樱桃！来自戈雅的突发奇想加上弗朗西斯科·戈雅（Francisco Goya）的14号钢板，qu牺牲！从幻想中大图

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Salvador Dalí:Plate 32, Cuerda hipnagogica de Lulio estringido from Les Caprices de Goya; plus FRANCISCO GOYA (1746-1828) Plate 32, Porque fue sensible (Because she was susceptible) from Los Caprichos (2 works) (Field 77-3-50: Delteil 69; Harris 67), 1977; 1799
Heliogravure of Goya\'s plate 32, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 32, Por que fue Sensible from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcografía, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31xm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达利 32号板块，卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号，因为他对突发奇想很敏感

下载萨尔瓦多·达利 32号板块，卢利奥的催眠弦从戈雅的任性中发出加上弗朗西斯科·戈雅·普拉特32号，因为他对突发奇想很敏感大图

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Salvador Dal&~;: Plate 2, A las primeras 18 sillas de mimbre from Les Caprices de Goya; FRANCISCO GOYA (1746-1828) Plate 2, El si pronuncian y la mano alargan al primero que llega from Los Caprichos (2 works) (Field 77-3-79; Delteil 39; Harris 37), 1799; 1977
Heliogravure of Goya\'s plate 2, reworked and altered with drypoint and stencil-coloring, on Rives BFK paper, signed in pencil and numbered 164/200 (plus 20 epreuves d\'artiste), published by Berggruen/Editions Graphiques Internationale, Paris, with full margins.
WITH
FRANCISCO GOYA (1746-1828), Plate 2, El si pronuncian y la mano alargan al primero que llega, from Los Caprichos, Fifth Edition, circa 1881 - 1886, etching on wove paper, published/printed by the Real Academia/Calcograf&~;a, Madrid, with margins. (2 works)
9 x 7 1/4in (22.7 x 17cm); 8 1/2 x 6in (21.5 x 15.2cm)
sheet 17 1/2 x 12 1/4in (44.4 x 31cm); 11 3/4 x 8 3/8in (29.7 x 20.5cm)

萨尔瓦多·达尔 第二盘，戈雅任性的前18把柳条椅子弗朗西斯科·戈雅（Francisco Goya）板块2，IF发音，手拉长第一个来自突发奇想的人

下载萨尔瓦多·达尔 第二盘，戈雅任性的前18把柳条椅子弗朗西斯科·戈雅（Francisco Goya）板块2，IF发音，手拉长第一个来自突发奇想的人大图